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Passing Time

Driven by the need to reduce my stash of instant film in cold-storage in the fridge, I’ve been working my way through some packs of The Impossible Project’s «Fade to Black» film. If you’re not familiar with it, FTB film appears to be an unstable batch of Artistic TZ – very quickly after exposure, the print becomes totally black. Impossible have shown an almost New Labour-ish talent for spin, marketing it as a film that embodies “…a visualisation of time”. You can’t fault their entrepreneurship, or their hard work in resurrecting Polaroid, so I bought some anyway (and the process is rather beautiful).

Previously I’d been shooting in the field and this stuff goes on the turn so quickly that by the time I was home and able to scan it, it was too late. You can peel the film apart to arrest the chemical reaction (I previously tried this here), but this time I wanted to capture the slide through sepia fog into darkness. This time I shot indoors in a controlled environment, a simple still-life, then scanned the print every couple of minutes. Here’s a short film clip I’ve put together to show the descent into shadow (press play):

Here are a couple of the images, caught at various stages of their chemical reactions:

"black & white i" - 1 minute after full development

"black & white i" - 10 minutes after full development

"milk" - after exposure

10 minutes after full development

20 minutes after full development

I also tried a wet peel technique to preserve the image – you wait for full development, peel the image apart, then wash it. Here’s the before:

"Persimmon" - after full development

…and here’s the image after peeling:

"Persimmon" - wet peel technique

Once the peeled image was dry, it was then just a case of scanning it in as if it was a slide.

The “Persimmon” image brings me neatly to the subject of print sales. Finally, after a wait of eons, my print shop is finally online! You will find an initial release of four limited editions (including “Persimmon”), plus a series of mini-prints (open edition). A new set of mini-prints will be released quarterly. To visit the shop, click the link below!

Finally got around to scanning and uploading this set of images from almost exactly five months ago. It might seem perverse to present a meditation on snow during the middle of the summer, but going by the weather the last few days I’m not so sure.

These were taken with my trusty Hasselblad after the first snowfall – when it was pure and exciting and the novelty was enough to make you forget your morning frozen toes (by day three the honeymoon is usually coming to a grubby, watery end). Image v was taken in Waterloo where there is some very pretty underfoot LED lighting. I was too late to find some virgin snow illuminated by the blue, but the footprints remind me of notes on a stave, so I’m not too unhappy.

The lightbox feature (where you click on an image and see it full screen) isn’t working at the moment (fixed!). To see them in all their pristine whiteness, visit the Flickr set here

I may produce some of these as fine art prints soon, so watch this space.

i

ii

iii

v

vii

Addendum: Titling all these images in Flickr teaches you how to spell rhythm pretty sharpish: Rhythm Helps Your Two Hips Move!

Seville Oranges

This week sees the launch of my first collection of prints for sale, in both signed limited editions, and unlimited signed mini-prints. These are fine-art giclée prints, professionally printed on heavyweight 308 gsm Hahnemuhle Photo Rag paper using Ultrachrome K3 archival inks.
To be notified when the prints go on sale, follow me on twitter or send me an email.

Respite

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Although my mum is retired from nursing, she is now a carer for my nan who has dementia. She has an allowance of a number of days respite care each year, and on these days my nan is cared for by the local senior centre.

Rather than spending this well-deserved time on herself, she uses it to catch up on her own housework which piles up while she cares for her own mother

It seemed sad to me that in front of her favourite armchair, she’d set up an ironing board, so no time was spent in idle relaxation. She didn’t actually pose for the photo (she hates having her photo taken) but at one magical moment, while we chatted, I managed to take this one shot of her looking beyond the confines of the domestic and out of the window.

I’ll be uploading some more from this roll today.

Tan SX70 Alpha 1

So…after realising that my black and silver SX70 Sonar was not going to be an easy repair job, I decided to bite the pillow and buy a replacement. I probably umm’ed and ahhh’d for a good two months. Firstly you have to wade through the many SX70 lots on eBay that are listed as “not sure if it works but it used to in 1978 when my Grandad used it last”…which seemed to be most of them. There were also a few lots which were re-listed with suspicious regularity; this suggested to me that a buyer received it only to discover it no longer worked and sent it back. I almost bought one from PolaPremium, but refuse to pay the inflated prices. In the end I bought a very pretty tan leather SX70 Alpha 1 (manual focus), deciding that a sonar autofocus model would add to the list of things that might go wrong with it.

Two design icons

It came with a very nice leather carrying case, the strap of which broke the moment I put it on. Luckily the camera wasn’t damaged in the drop. I tested it with the remaining film salvaged from the old Sonar:

Found Toy

Incidentally, I finally got around to scanning the last Polaroids that I managed to take with the old SX70. Briefly in August it started working again for a few hours, long enough to take some photos at Steve’s birthday party. When it came to taking my self portrait, the SX70 died for a second and last time…I’m trying not to take it personally:

August Picnic

Goodbye SX70 Sonar…I will miss you

RIP

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Labour in vain

It’s official – I can’t save my beloved black and silver Polaroid SX70 Sonar camera :(

One day last year, on inserting a fresh film pack, the motor just kept running and would not stop, even after ejecting the cardboard dark slide. I’d read that this was a fairly common affliction and was due to a snapped plastic shaft that attaches to the motor. The repair is quite simple and involves opening the camera up and reattaching one of the springs in lieu of the shaft (see here for details).

The first hurdle was actually getting the SX70 open. The base plate is covered by a sheet of aluminium (covered in leatherette) which you must remove to get at the screws underneath – it’s glued on pretty tight and it’s quite easy to wreck the covering getting it off. That’s when I discovered that the screwheads were a non-standard 1mm square:

That funny little screw

I looked everywhere online and searched my local Maplins store top to bottom, but couldn’t find a screwdriver to fit. Apparently most SX70s are assembled using star-shaped Torx screws, but my mine was one of the very few held together with non-standard square-head screws. My friend Ben, a sculptor, came to the rescue and filed down an Allen key to make me a bespoke screwdriver small enough to undo the screws!

DIY screwdriver

Aaaaarrgghhh! To heap Pelion on Ossa, the moment I opened the casing I found this:

Drive shaft repair (circled)

That was the repair that I was about to make, and someone had got there first! You can see clearly that the end of the screw has been poked into a little slot on the drive shaft coming from the motor. If the problem wasn’t solved by this repair, then it can only mean that something else was wrong (most likely costly gear damage). I had to admit defeat, my beloved SX70 Sonar was kaput…

Dead SX70

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November saw us flying to Tromsø in Norway to fulfil a longtime ambition to see the Aurora Borealis. I’d visited Scandinavia in when I stayed in Ljusdal, Sweden, but that was Midsummer and the opposite side of the solar cycle. This time dusk, not daylight, reigned.

There’s something very beautiful about twilight; not just the temperature of the light – the muzzy blues and drowsy mauves – but one is so used to the fleeting nature of it, that by the time you’ve really started to appreciate the moment, it’s gone.

Storsteinen

Lekeplass

Fjell

Storsteinen

This far North (the furthest North I’ve ever been) the twilight lasts for several hours, and it’s not long before it starts to play tricks on the eye and mind. There’s a charged sort of clarity to the landscape that you get with day-for-night scenes in films, like the shadows and edges are too sharp for such a late, fuzzy hour. But it can’t be; I look at the time and it’s only 3 o’clock in the afternoon, but every sense in my body ignores this fact and promptly initiates a midnight shut-down. Drinking a cup of coffee in a little wooden cafe nestled in the mountains and fjells is all I can do to stay awake.

Fjell

This was the first time I’ve shot exclusively on digital; for practical reasons. If there was going to be any Aurora activity, I wanted to know there and then if the shot was successfully recorded – after all this was a rare opportunity. With the luxury of hindsight I would now have taken medium format film as well. The Nikon D200 is a nice bit of kit but I reckon good old-fashioned slide film is made for the light out there.

Taxi rank, twilight

Taxi rank, Tromsø town centre – about 3 pm

We were fortunate to be looked after during our stay by Per Helge and Trond Håvard, who were very generous with their time and brimming with local knowledge. I have happy memories of being driven at daredevil speed by Trond Håvard in his rattling, Sherman tank of a van through valleys and up hills; waving at live deer, and clinging on for dear life…silently I thanked the inventor of seatbelts!

The tank!

We also got a private guided tour around the Tromsø Museum and the local art school, Kunstakadamiet i Tromsø. Towards the end of the week, we were invited to Per Helge’s apartment for dinner and conversation and baffled him by photographing his very photogenic kitchen post-meal.

As is always the way, we later found out there was a short spike of Aurora activity while we were indoors. Most likely it would have been too weak to see so we probably didn’t miss anything. Yes, I’m afraid we didn’t see one glimmer of the Northern Lights. The nearest was an artificial recreation of the Aurora Machine in the Tromsø Museum. I wish we’d been able to turn the real Aurora on with the press of a button…

Aurora Facticius

Aurora Facticius

To see the full set of images from Tromsø, click here to be taken to the Flickr set.

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Augur

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It’s the Winter solstice and the days will soon be getting lighter; but where there’s hunger, there’s danger.

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Your very own box of instant joy

Your very own box of instant joy

I’m thrilled to write that one of my Polaroid images has been published in a box of mini notecards by Chronicle Books*. This is a continuation of 2008‘s limited edition book, “For The Love of Light“, which it featured in. Once again the very talented and very organised  Jen Altman was responsible for getting this together. The whole edition of Light has now sold out, so this box of notecards is a second chance to own some of the images. And if you already own the book…why not buy the notecards anyway? Christmas is only a few weeks away!

My contribution "Fading Now"

My contribution "Fading Now"

The image the editors chose was “Fading Now” from my short series of expired flowers. There are 19 other cards (though my set had a couple of extra duplicate cards) featuring photos by Jen Altman, Jenny Vorwaller, Yu-I Chan, Liz Shuman, Cori Kindred, Shu Fang Lee, Jen Gotch, Fernanda Montoro, Mathias Meyer, Anna Beard, Nanako Koyama, Amanda Gilligan, Maditi, Anne Naumann and Hannah Huffman.

A few of the cards in the set

A few of the cards in the set

The notecard and the original. Guess which one's which!

The notecard and the original. Guess which one's which!

The notecards are printed on quality card stock, with a varnish over the image so they’re shiny like a real polaroid…

Polaroid_Notes-7

Bling like the real thing!

And as a nice little touch, the border is printed with the texture of the original Polaroid paper frame

The 20 polaroids

The 20 polaroids

:)

Famous at last!

* If you purchase the notecards through the link on this site, I get a little commission – thanks.

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It’s a sad day for me…Sunday just gone I woke up early (couldn’t sleep) to a beautiful sunrise. As is my habit I reached for my polaroid camera, pressed the shutter and…kaput. My beloved SX70 is now dead. It could be in a temporary coma, but I prefer not to apply the balm of false hope.

All this in the week that a package of rare polaroid film arrived from Austria. Fate is taunting me.

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«Taxi!»

Well, the shots from Paris have been processed for some time now – either hanging up in my bathroom (several rolls of black & white: tri-x and acros100) or back from their trip to the lab. Now begins the long slog of dusting, mounting, scanning and spotting said negatives and slides…but I’m being lazy. So far I’ve only managed to upload one and a half rolls of colour from our trip. That leaves 25 and a half rolls left to upload!

This is 2008…surely we sould have robots to do this sort of thing for us by now?

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Blue for you!


At the moment I’m busy setting up an online shop to sell selected limited edition prints. These are fine art giclée prints produced in the UK by master printers Redcliffe Imaging, each beautiful printed to a very high standard. First up are a series of limited edition prints of my Polaroids, 12″ x 12″ – they are printed on high quality 308g Hahnemühle Photo Rag and individually signed and numbered.

As soon as the prints are available for sale I’ll post a link here, but in the meantime if you want to be kept up to date on developments, drop me an email: mat{at}cyanblue.co.uk

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Latest work

My very latest work can be found on my Flickr stream – there’s lots of Polaroid shots, plus some new medium format black and white work. Visit www.flickr.com/photos/cyanblue and i’ll make you tea!

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Instant Era

Just to let you know that I’m currently showing work in a group exhibition dedicated to the art of Polaroid. We’re showing at The Nest gallery in California and as this is my first show for a while I’m pretty excited! The private view is tonight, but if you miss that don’t worry; the exhibition runs from the 11th September to 31st October.

The show accompanies the recent “For the Love of Light” book, and I’m showing along with my fellow contributors Jenifer Altman, Anna L. Beard, Jennifer Evans, Jen Gotch, Anna Kathrin Koch, Monika Elena Kost, Nanako Koyoma, Fernanda Montoro, Mia Moreno and Anne Naumann.

To find out more about “For the Love of Light” project or to buy copies, click here.

The Nest gallery is well worth a visit, plus they do a lot to raise money for local arts grants. You can find them on the web at www.napanest.com, though it’s not as much fun as seeing the work in the flesh. If you in the area, drop in and see them at 1019 Atlas Peak Road, Napa, California 94558. Their opening times are Fri, Sat, Sun 10am to 6pm, though you can call them on 707.255.7484.

If you go, be sure to say hi to the lovely Ann Trinca who helped organise the show!

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Pre-order “For The Love of Light” now!
Originally uploaded by cyan blue

25 photographers, 10 countries, 50 photographs, 110 pages – one medium.

Hi friends! As you may know, I was asked to contribute two photographs, along with 24 other superb artists, to a celebration of the life of the Polaroid photograph. The expression of our shared love for this sadly doomed medium is “For the Love of Light” – a beautiful book designed and edited by the very talented Jen Altman.

We are now taking pre-orders for the limited edition, individually numbered run of the book. Each book in the initial run will also come with a limited edition 5×5″ print.

You can pre-order your copy and find out more about this fantastic project by visiting the website: www.fortheloveoflight.com

I hope you can join us on our journey!

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