Driven by the need to reduce my stash of instant film in cold-storage in the fridge, I’ve been working my way through some packs of The Impossible Project’s «Fade to Black» film. If you’re not familiar with it, FTB film appears to be an unstable batch of Artistic TZ – very quickly after exposure, the print becomes totally black. Impossible have shown an almost New Labour-ish talent for spin, marketing it as a film that embodies “…a visualisation of time”. You can’t fault their entrepreneurship, or their hard work in resurrecting Polaroid, so I bought some anyway (and the process is rather beautiful).
Previously I’d been shooting in the field and this stuff goes on the turn so quickly that by the time I was home and able to scan it, it was too late. You can peel the film apart to arrest the chemical reaction (I previously tried this here), but this time I wanted to capture the slide through sepia fog into darkness. This time I shot indoors in a controlled environment, a simple still-life, then scanned the print every couple of minutes. Here’s a short film clip I’ve put together to show the descent into shadow (press play):
Here are a couple of the images, caught at various stages of their chemical reactions:
I also tried a wet peel technique to preserve the image – you wait for full development, peel the image apart, then wash it. Here’s the before:
…and here’s the image after peeling:
Once the peeled image was dry, it was then just a case of scanning it in as if it was a slide.
The “Persimmon” image brings me neatly to the subject of print sales. Finally, after a wait of eons, my print shop is finally online! You will find an initial release of four limited editions (including “Persimmon”), plus a series of mini-prints (open edition). A new set of mini-prints will be released quarterly. To visit the shop, click the link below!


















































